Holzschnitt emil nolde biography

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

• the type of acquisition and/or the way the object changed hands
• the owner's name and place of residence
• the date on which it cha
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  German Expressionism

  The Artist Group Brücke and the Beginnings of Modernism

  Stockholm, 21.9 2024 – 9.3 2025

  The artist group Brücke was founded in 1905 in Dresden by four young, rebellious architecture students. With their collective way of living and working, they radically broke with the prevailing strict moral norms and aesthetic ideals of the German Empire. Brücke’s art marks the beginning of German Expressionism, which would eventually be recognised as Germany’s most important contribution to international modernism.

  In Moderna Museet’s extensive exhibition, viewers encounter around 180 works – including paintings, drawings, watercolours, woodcuts, and sculptures – by Ernst Ludwig Kirchner, Fritz Bleyl, Erich Heckel, and Karl Schmidt-Rottluff, the four founders of Brücke, as well as by Emil Nolde, Max Pechstein, and Otto Mueller, members who joined later.

  The name Brücke, “bridge” in German, has often been interpreted as an allusion to the group’s endeavour to create a link between the art of the past and the future.

  Emotions, Man, and Nature

  Brücke develope

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  Emil Nolde Portrait Prints

  Jewish Rabbi Looking Heavenward German Expressionist Woodcut Israeli "Psalm"

  By Jacob Steinhardt

  Located in Surfside, FL

  Jacob Steinhardt, 1887-1968 Hand signed in pencil, woodblock print woodcut. Frame: 22.5" x 18" Image: 16.75" X 12.5" "Psalm" 12/30 Jakob Steinhardt, Painter and Woodcut Artist. b. 1887, Yaacov Steinhardt was born in the then remote, largely Polish town of Zerkow in the Posen District of Germany. (poland/german) Immigrated 1933. Studies: 1906 School of Art, 1906 Studied in Berlin Arts and Crafts School. Berlin; 1907 painting with Lovis Corinth and engraving and etching with Hermann Struck; advanced studies, 1908-10 Paris, with Henri Matisse and Steinlen; 1911 Italy. Teaching: Bezalel, Jerusalem, 1953-57 Director. 1910 Participated in the “New Sezession”, Berlin. 1912 together with Ludwig Meidner and Janthur he founded the "Pathetiker" group very early in the German expressionist movement. Running afoul of the Nazis, he fled to Tel-Aviv and then Jerusalem in the early 30s, showing in “Der Sturm” Gallery. 1914 Exhibited with