Jean cocteau cause of death
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Biography from 1941 to 1950
Mme. Cocteau dies on January 20th. On January 27th, Antigone triumphs at the Opera. Two days later, Cocteau holds a poetry recital with Serge Lifar at the Théâtre Edouard VII. On February 6th, Cocteau is filled with enthusiasm at a reading of Genet’s Condamné à mort. On February 15th, he meets Genet. On April 14th, Renaud & Armide has its premiere at the Comédie-Française with Marie Bell, Mary Marquet, Maurice Escande and Jacques Dacquemine. The play is a huge success; however the collaborationist press continues to hound the author. On April 20th, Cocteau leaves for Nice for the filming of L’Eternel retour (The Eternal Return). Soon after his arrival, he develops a mild and easily-treated case of pneumonia. In August, he plays Musset in Sacha Guitry’s film La Malibran. He works on a study on El Greco to be published at the end of the year as well as on a play that will become L’Aigle à deux têtes (The Eagle Has Two Heads). On August 27th, Cocteau is attacked on the Champs-Elysées by members of a security force s
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Bates College
Jean Cocteau (French, 1889-1963)
As a poet, playwright, novelist, filmmaker, and designer, Cocteau was an avant-garde artist in various media and integral in the Dada and Surrealist movements. Through artistic creation, he believed in “placing those objects of the visible world which have become invisible due to the glue of habit in an unusual position which strikes the soul and gives them a tragic force.” In his work, he often mixed classical myths with personal experiences.
Born to a Parisian bourgeois family, Cocteau was around art from an early age and took immense interest in the theatricality and skill of the touring Ballets Russes. After WWI, he became immersed in the burgeoning arts scene in Paris, with his play Orphée (1926) helping to renew the form of tragedy in contemporary theatre. Notable films by Cocteau include le Sang d’un poète (1930), La Belle et la Bête (1946), and Orphée (1949). Seen in Lucien Clergue’s photograph titled Jean Cocteau and the Sphinx, Cocteau stands behind a mountainous background with the prop in the middle of s
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Jean Cocteau
Maisons-Laffitte, France, 1889–Milly-La-Forêt, France, 1963
Jean Cocteau was a multifaceted intellectual who, from the 1920s to the 1950s, worked as a writer, draftsman, painter, printmaker, stage designer, and filmmaker. Cocteau’s artistic practice was closely tied to his roles as an instigator and patron of the visual and literary French avant-gardes, as well as a socialite.
Born into a cultured, bourgeois Parisian family, Cocteau belonged to an influential social network that also introduced him to important developments in modern art. In particular, during the years 1910–12, Cocteau met the writer André Gide, the aristocratic patron of modern painting and music Count Etienne de Beaumont, and the socialite and patron Misia Sert. Through Sert, he was introduced to the experimental world of the Ballets Russes, run by Sergei Diaghilev, which included the renowned dancer Vaslav Nijinsky as well as the composer Igor Stravinsky. In 1912 Cocteau became involved in the conception and staging of many groundbreaking Ballets Russes productions. His most celebrated early
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