Which country made first movie in the world
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An advocate for the black community and women’s suffrage, Du Bois spent much his life and career focused on Pan-Africanism and became an organizer of several Pan-African congresses leading the charge to free many African colonies from European control.
While in Ghana, a country where he was a champion for independence, Du Bois, planned his final project, the Encyclopedia Africana. Styled similarly to the Encyclopedia Britannica, the proposed Encyclopedia Africana was an ambitious undertaking that Du Bois hoped would connect the entire African diaspora.
Although Du Bois died in 1963 without completing Encyclopedia Africana, his contributions to the African American experience as a historian, civil rights activist, writer, sociologist and intellectual are vast. The Museum celebrates the influential life he lived, his activism and the scholarly works that continue to serve as essential references regarding racism in America.
The post-screening conversation between director Louis Massiah and Howard University Associate Professor and Chair of the Department of Afro-
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Film Genres
Biopic (biographical picture; biographical film)
A film that tells the story of the life of a real person, often a well-known monarch, political leader, or artist. Thomas Edison’s Execution of Mary Queen of Scots (US, 1895) prefigures the genre but perhaps the earliest biopic is Jeanne d’Arc/Joan of Arc (Georges Méliès, France, 1900). Biopics were popular with audiences in Europe in the early 20th century, including Queen Elizabeth (Henri Desfontaine and Louis Mercanto, France, 1912), Danton (Dimitri Buchowetski, Germany, 1920), Anne Boleyn (Ernst Lubitsch, Germany, 1920), Napoleon (Abel Gance, France, 1927), and The Private Life of Henry VIII (Alexander Korda, UK, 1933). Beyond Europe and North America, biopics celebrated anti-colonial figures and continue to do so (seePhilippines, film in). The biopic was a staple of US cinema during the studio period, with some 300 films released between 1927 and 1960. The work of director William Dieterle, including The Story of Louis Pasteur (1936), Juarez (1939),
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Biographical film
Film genre
A biographical film or biopic ()[1] is a film that dramatizes the life of an actual person or group of people. Such films show the life of a historical person and the central character's real name is used.[2] They differ from docudrama films and historical drama films in that they attempt to comprehensively tell a single person's life story or at least the most historically important years of their lives.[3]
Context
Biopic scholars include George F. Custen of the College of Staten Island and Dennis P. Bingham of Indiana University–Purdue University Indianapolis. Custen, in Bio/Pics: How Hollywood Constructed Public History (1992), regards the genre as having died with the Hollywood studio era, and in particular, Darryl F. Zanuck.[4] On the other hand, Bingham's 2010 study Whose Lives Are They Anyway? The Biopic as Contemporary Film Genre[5] shows how it perpetuates as a codified genre using many of the same tropes used in the studio era that has followed a similar trajectory as
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