Who is karen finney married to
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Did you enjoy Miami?
I enjoyed the process and opportunity. The emotions and feelings were full. I didn't go to the beach or parties. I was focusing on the show. So I didn't get to see much of the city.
How do you think today’s culture wars differ from those in the 80s and 90s?
In many ways there are many similarities, and I don't see much difference. And in some situations, it is worse - abortion is now criminalized and illegal in many states. The ACLU is still very busy.
Much of your visual art has a text component, and many of your performance pieces include a spoken word component. I’m hoping we can talk a little about your approach to language. It seems you often include some wordplay or a bit of disarming humor, but you are able to deftly transition into states of raw emotion. How do you manage those tonal shifts and transitions?
Language has power. Who gets to speak and who is listened to. Utilizing language as an artist I can rearrange, offer perspective, and give new meaning. I employ poetics, parody, and humor. Every day is both a struggle and a celebration
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Karen Finley
American musician and poet
For the journalist and political consultant, see Karen Finney.
Karen Finley (born 1956) is an American performance artist, musician, poet, and educator.[1] The case, National Endowment for the Arts v. Finley (1998), argued in front of the U.S. Supreme Court, was decided against Finley and the other artists.[2] Her performance art, recordings, and books are used as forms of activism.[3][4] Her work frequently uses nudity and profanity.[5] Finley incorporates depictions of sexuality, abuse, and disenfranchisement in her work.[6] She is a professor at the Tisch School of the Arts at New York University.[7]
Karen Finley has written various books that focus on controversial topics.[8] She wrote Shock Treatment, Enough Is Enough: Weekly Meditations for Living Dysfunctionally, the Martha Stewart satire Living It Up: Humorous Adventures in Hyperdomesticity, Pooh Unplugged (detailing the eating and psychological disorders of Winnie the Pooh and his frien
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Karen Finley
Arts Professor
Photo by Timothy Greenfield Sanders
Born in Chicago, she received her MFA from the San Francisco Art Institute. Working in a variety of mediums such as installation, video, performance, public art, visual art, entertainment, television and film, memorials, music, and literature, she has presented her work worldwide in various venues such as The Bobino in Paris, The ICA in London and Lincoln Center in NYC. Finley lectures and gives workshop at universities and museums internationally. Her work is in collections such as the Museum of Contemporary art and the Pompidou. She is the author of eight books, including a 25th anniversary edition of Shock Treatment ( City Lights 2015 ), Reality Shows, (Feminist Press 2011), and George and Martha ( Verso 2008). Her recent work includes, Artist Anonymous – a social practice self help open meeting for those addicted to art presented at Museum of Art and Design (2014) , and Written in Sand, a performance of music and her writings on AIDS, Open Heart,&n
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