Urubu malandro pixinguinha biography
- Alfredo da Rocha Viana Filho, better known as Pixinguinha was a Brazilian composer, arranger, flutist, and saxophonist player born in Rio de Janeiro.
- Born on 23 April 1897 and baptized Alfredo Rocha Vianna Filho, the composer One of his characteristic choros, Urubu (latter renamed as Urubu Malandro).
- The music is a variation of the ancient folk theme of northern part of Rio de Janeiro state called "Dança da Urubu" also called "Urubu Malandro".
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Overview of Samba musician Pixinguinha
Pixinguinha, a well-known composer and musician from Brazil, was created in Rio de Janeiro in 1897. He excelled at playing the flute, clarinet, and saxophone among other instruments. Pixinguinha had a significant role in the growth of Brazilian popular music, particularly in the choro and samba genres. His compositions combined native Brazilian rhythms with jazz and classical music elements from Europe.
Pixinguinha founded Os Oito Batutas as a young guy, and the group went on to become one of the most well-known and significant bands in Brazil in the 1920s. The group's inventive arrangements and skillful performances contributed to the choro's reputation as a revered musical style in Brazil. The songs Pixinguinha wrote, such "Carinhoso" and "Lamento," are still often performed today and have come to be regarded as beloved Brazilian music classics.
New generations of artists in Brazil and beyond are continually motivated by Pixinguinha's legacy as a composer and performer. He helped to shape the sou
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Pixinguinha: The Demiurge of Brazilian Music
‘If you have 15 volumes to talk about all of Brazilian popular music, rest assured it’s too little. But if you only have the space for a word, you are saved. Write quickly: Pixinguinha.’
This quotation by Ary Vasconcelos says for itself and needs no explanation. I dare, however, to continue it: “if you have 15 volumes to talk about Pixinguinha, rest assured that it is too little. But if I only had the space for one word, I would write: demiurge.” Demiurge of Brazilian popular music.
Born on 23 April 1897 and baptized Alfredo Rocha Vianna Filho, the composer, flutist, saxophonist, arranger and conductor, answered actually by the name of Pixinguinha. Why am I calling him the demiurge of Brazilian popular music? The word demiurge, in its Greek origin means ‘a person who works for the public, craftsman, manual worker, producer, creator’. The philosophical use of the word, however, is due to Plato, who in his dialogue Timaeus (360b.C) uses this term to designate the divine craftsman who "fashioned and shaped" the material world. T
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Pixinguinha
Brazilian composer (1897 - 1973)
Pixinguinha | |
|---|---|
| Birth name | Alfredo da Rocha Viana Filho |
| Also known as | Pizinguim, Bexiguinha, Pexinguinha, Pixinguinha |
| Born | (1897-04-23)April 23, 1897 |
| Origin | Rio de Janeiro, Brazil |
| Died | February 17, 1973(1973-02-17) (aged 75) |
| Genres | Choro, Maxixe, Samba, Waltz, Jazz |
| Occupation(s) | Songwriter, composer, arranger, instrumentalist |
| Instrument(s) | Saxophone, flute |
| Years active | 1911–1973 |
| Website | pixinguinha.com.br |
Musical artist
Alfredo da Rocha Viana Filho, better known as Pixinguinha (Portuguese:[piʃĩˈɡiɲɐ]) was a Brazilian composer, arranger, flutist, and saxophonist player born in Rio de Janeiro. He is known for his contributions to Brazilian popular music and especially for his role in the development of choro, a genre of Brazilian music that blends Afro-Brazilian rhythms with European influences. His best-known compositions include "Carinhoso", "Glória", "Lamento", and "Um a Zero".[1]
Pixinguinha merged traditional music of 19th-century composers with moder
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